orlando owoh - his life & times
The below is excerpted from The Guardian
Orlando Owoh: The Kennery is ill
Legend of Kennery highlife, Dr. Orlando Owoh, is very ill. The frail-looking
musician spoke with CLETUS NWACHUKWU on his sick bed about his past, present
state of health and his future.
STEPHEN Oladipupo Olaore Owomoyela, known to most lovers of music as
Orlando Owoh belongs in the class of those great artistes who worked so
hard at achieving their dreams.
The great Orlando who used to mesmerise the audience with his heavy romantic
voice and energetic display on the stage is now so fragile that to walkhas
become a struggle. He looks pitiable in the aftermath of tow massive stroke
that has left him almost like a vegetable, even if he remains in very
high spirit while talking to The Guardian.
Orlando needs help. That is the fact. And he said he was counting on
the goodwill of his numerous fans andgood people of Nigeria to ensure
he gets qualityhealthcare. Interestingly he wants to continue with his
first love: playing music and creating happinessfor others.
For this legendary, but now seriously ailing musician, life from his
childhood had been an arduous struggle for survival.
Born 74 years ago at Osogbo in Osun State to Jeremiah and Morenike Owomoyela,
originally from Ifon town in Ose Local Government Area of Ondo State,
somehow, the musical adventures of his father never really rubbed off
positively on the young Orlando Owoh. His father relentlessly admonished
him never to play music, recounting his own sad experiences as a musician.
Having made up his mind to become a musician from age 12, Orlando Owoh,
nevertheless, had to succumb to the overbearing influence of his father,
who had now ventured into building construction, albeit a successful one.
Showing early traits of a man with hismind, Orlando Owoh left Osogbo for
Ilesha, in pursuit of greener and better life prospects immediately hecompleted
his eight-year apprenticeship under his father. Working as a bricklayer,
truck pusher,house-help, yet music was never far from his heart.
Armed with a Standard Six certificate, he returned to Osogbo and secretly
began his romance with musicbuoyed by several music talents garnered during
his sojourn in Ilesha. His budding musical talent caught the attention
of renowned artiste, Kola Ogunmola who eventually invited him to Ibadan
in preparation forthe First All African Games in Dakar. Yet, fate wouldplay
a cruel one on him as few months to the event he was diagnosed with a
bad eye problem that needed urgent surgery. As a result, he missed the
opportunityto kick-start his artistic dream.
With a burning desire to succeed, Owoh did not allow the development
to derail his dreams, as he quickly joined a music band called Chocolate
Randies in Ibadan, due to his avowed dexterity on the Konga drums.
According to the veteran musician, Chocolate Randies was the toast of
music fans in the old Western region.
Thus began a life full of controversies, vices andmusical legendary.
All through his time with Chocolate Randies,traversing Abeokuta, Ibadan
and Lagos, Owoh remained steadfast in his belief in success musically,
and of course, be his own boss. His hunger for successfinally culminated
in his establishing his own band called Orlando Owoh and his Omimah Band
in 1958.
The renowned artiste told The Guardian, after convincing his former boss
at Chocolate Randies, he gained his musical freedom after paying the customary
£5 and a coke.
Owoh's actual journey to stardom began with his debut album in 1960 under
Decca Records. A greater achievement for him beyond having his music in
themarket was the financial incentive of £15 that shockedand made
him restless for several days.
The first album, Oluwa Lo Ran Mi was quickly followed by a very successful
Alantere Ijo Oyege, which of course, actually announced his arrival on
the music landscape.
Expectedly, more musical successes were recorded through his unique and
rhythmic brand of music.
Owoh as Army Captain
The civil war in Nigeria further brought to fore Owoh's survival instinct.
Despite his newly found fame and wealth, he decided to enlist in the Nigerian
Army,without his family's consent. According to him, "itwas just
for survival." With him went his first love-- music. He did not stop
playing his music as he was later commissioned to entertain soldiers across
thec ountry, during the war. He was to train and organisehis colleagues
into what was then called the Garrison Band. The euphoria was not limited
to the war zones,as he once came visiting his music fans in Lagos withhis
army band. Four years later, Orlando Owoh was discharged from the army
with the rank of a captain.
Achievements
In the words of Thomas Southern, "Ambition is an idolon whose wings
great minds are carried only to the extreme. It is to be sublimely great,
or be nothing." This music icon refused to be what could be called
a local champion as he went steps further. The septuagenarian recalled
his first ever-musical tour of London, in 1972, when his astonishing musical
displaysand prowess impressed his hosts and he was subsequently awarded
a honorary doctorate degree in law by the University of London.
Unfortunately, a fall-out of his successful Londontour was that greed
set into his band and some dissatisfied members left. He had to re-organise
and rename his band from the Young Kenneries to African Kenneries.
The music veteran explained that his music was afusion of highlife and
juju and that as aknowledgeable musician, he had to move with current
trends to satisfy his teeming fans spanning several countries of the world.
In line with his self-belief and ideologies, his music is to positively
impact on lives and preach peace.
Most times his music and lyrics have been compared to that of the late
Fela Anikulapo-Kuti's fiery style, particularly, with controversial albums,
like Ganja I and II, Dele Giwa and Money for Hand Back for Ground. He
has recorded over 45 albums including the commercially successful Jobs
Experience, Logba-Logba, Kangaroo, Iyawo Olele, Money palaver, Tribute
to Fela, amongst many others.
Alagbon Experience
For many followers and lovers of music, particularly, of the late Fela
Anikulapo-Kuti and Owoh, the two music icons seem to have quite a lot
in common. From their music, love life, anti-authority beliefs, vices
and ultimately life in incarceration. These two artistes have come out
eventually from police cells to release commercial hits on their experiences
at the infamous Alagbon Close (a police investigation centre).